Purity and Power in Magic Knight Rayearth

Contemporary Japanese Literature

This essay contains spoilers for the completed series.

Takeuchi Naoko’s shōjo manga Pretty Guardian Sailor Moon, which began serialization in 1991 in Kōdansha’s shōjo magazine Nakayoshi, was a truly transformative work. Not only was it an incredible inspiration for other manga artists, but manga editors and anime studio executives also started aggressively mixing and matching the elements of Sailor Moon to create derivative works such as Wedding Peach and Kamikaze Kaitō Jeanne. Meanwhile, popular anime franchises like Tenchi Muyō! quickly developed magical girl spin-off series. Unfortunately, many of these new magical girl series merely regurgitated different aspects of Sailor Moon in an endlessly looping cycle of character tropes and plot devices. Thankfully, Magic Knight Rayearth, one of the very few magical girl series from the nineties to survive without ever going out of print in Japan, effectively broke the cycle of narrative consumption and reproduction, both…

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About Foxy Lady Ayame

bloggress, animation junkie, comics devotee, illustration lover, internet wanderer, lingerie fetishist, sexuality & gender advocate
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